On behalf of Nikon Singapore, Futuromic Photo AV Sdn. Bhd., the distributor of Nikon imaging products in Malaysia introduce the ZR, a full-frame sensor camera and the smallest model in the Z CINEMA series. Developed in collaboration with RED, a subsidiary of Nikon Corporation, RED Digital Cinema, Inc. (hereinafter “RED”), the ZR delivers high-end cinematic videos through its internal 6K RAW recording, RED-curated colour science, and pro-level audio—all in a lightweight body in a single body kit.

Compact Size, No Compromises

Weighing just 540g^*2, the ZR is one of the lightest cinema cameras in its class. Engineered for on-the-go filmmaking, its dust-and-drip resistant magnesium alloy body delivers reliability in any setting, from the studio to the great outdoors.

Despite its small set-up, ZR is designed to replace bulky multi-component rigs with the following features:

• Internal 6K RAW video capture (R3D NE^*3, N-RAW, ProRes RAW HQ)
• In-camera 32-bit float with 3.5mm jack audio recording with OZO Audio^*4 support
• Dual Base ISO for optimised exposure control
• Direct cloud uploads via Frame.io through NX MobileAir^*5
• Efficient heat dissipation, allowing 2h+ of silent, continuous recording without overheating

Built-in Cinematic Output

Designed to give filmmakers complete creative control right out of the box— Nikon ZR combines cinematic presets, colour flexibility, and advanced monitoring tools in one streamlined system. Its dedicated Cinematic Video Mode applies standardised shutter angle, frame rate, and colour tone settings for consistent, high -quality output. For stylised looks, users can select from nine RED-curated Imaging Recipes^*6, which can be previewed in real time for immediate application.

Notwithstanding, the ZR can support recording in seven video formats, including 12-bit RAW for maximum tonal range and post-production flexibility, 6K/59.94p and 4K/119.88^*7p 12-bit RAW recording in REDWideGamutRGB and Log3G10 profiles, marking the first integration of the RED R3D NE codec into a Nikon camera. time waveform, histogram, and multi-colour zebra overlays, and with support for up to ten 65-point^*8 LUTs, alongside 17 and 33- point LUTs for accurate preview or baked-in colour.

The ZR supports LUT monitoring to its 4.0-inch LCD, allowing easy colour grading previews. The ZR also includes real-time waveform, histogram, and multi-colour zebra overlays, and with support for up to ten 65-point^*9 LUTs, alongside 17 and 33-point LUTs for accurate preview or baked-in colour.

A configurable shutter angle range of 5.6° to 360° allows for true cinematic motion blur, while its deep -learning autofocus system with 273 AF points, 90% x 90% coverage, across nine categories—including people, animals, vehicles, and aircraft. Face detection is capable of recognising subjects as small as 3% of the frame, providing reliable focus even in wide compositions or fast-moving scenes.

Built for Live, Remote, and Multi-Cam Workflows

Engineered for modern productions, the ZR offers the connectivity, audio performance, and system versatility demanded by today’s filmmakers—all in a complete, self-contained body.

Featuring a comprehensive HDMI and USB-C connectivity, HDMI-CEC^*9 tally light compatibility, and ON AIR / PREVIEW indicators, making it an ideal choice for studio-based workflows, multi-camera environments, and even livestreaming.

The ZR’s efficiency in dissipate heat enables silent operation during takes and supports extended recording without the risk of noise interference or mechanical failure, while its Z mount system ensures flexibility with a wide range of native lenses, while also supporting adapted third-party options^*10 for specialised needs.

On the audio front, the ZR includes the world’s first native 32-bit float with 3.5mm jack recording, capturing a wide dynamic range without the risk of clipping, even with just the internal microphone. Its integrated OZO Audio system offers five pickup patterns^*11—including voice-isolated and 360° modes—and pairs seamlessly with the optional ME- D10 shotgun microphone for broadcast-quality capture without batteries or XLR inputs.

Wireless, Non-Battery-Operated ME-D10 Shotgun Microphone Brings Exceptional Convenience

The ME-D10 is a 32-bit float shotgun microphone compatible with the new digital accessory shoe developed for the ZR. It requires no battery or cable, and the adoption of a shock mount and its compact design make for easy handling.

The microphone offers two recording modes, PURE and FOCUS, which can be selected with a switch on the microphone. PURE features a wide dynamic range and a sound design true to the original source, allowing natural and accurate capture of raw audio, including the ambient atmosphere while FOCUS accurately captures the intended voice, even in noisy surroundings such as those outdoors, ensuring clear audio for product presentations and live streams.

Key Specifications

• RED R3D NE codec
• Internal RAW video: 6K/60p (R3D NE, N-RAW, ProRes RAW HQ)
• Dual base ISO: 800/6400
• Dynamic range: 15+ stops^*12
• Audio: 32-bit float, OZO Audio, 3.5mm line input
• Slow motion: Up to 10x slow motion in Full HD (FHD 239.76p) and presets for 4 x straight-out-of-camera slow motion
• Cloud-ready: Frame.io integration
• Monitoring: Waveform, histogram, LUTs 
• Stabilisation: 5-axis IBIS
• Build: Magnesium alloy, dust-and-drip resistant 
• Weight: 540g

Z CINEMA launches official Instagram account

In conjunction with the launch of Nikon ZR, users can receive timely updates on new products, upcoming events, and other information of interest to filmmakers and content creators through its Z Cinema Instagram account.

^*1 Among cameras with interchangeable lenses that record audio via the built-in microphone and 3.5-mm stereo mini-pin jack.

^*2 Camera body only: approx. 630 g including battery and recording media.

^*3 A dedicated codec developed for Nikon cameras to record video in R3D format. The file extension is “.R3D”.

^*4 OZO is a registered trademark of Nokia Technologies Oy.

^*5 Software availability varies by market. For more information, please contact your local Nikon service center.

^*6 Imaging Recipes must be downloaded from Nikon Imaging Cloud beforehand.

^*7 Image area will be cropped to [DX] format (APS-C size).

^*8 With recording at video frame rates of 23.976p, 25p, 29.97p, 50p, and 59.94p.

^*9 Up to six cameras can be connected.

^*10 Certain features may be unavailable when other brands lens adapters are used.

^*11 Available when recording with H.264 or H.265 at 59.94p or lower.